My practice moves between drawing, print, and material work, grounded in a process-based approach to making. Each medium becomes a way of working through ideas—testing form, structure, and composition through repetition and refinement.

There is less focus on a fixed style or outcome, and more on how ideas develop over time. Drawing, printing, and building each carry their own constraints and possibilities, shaping the work as it evolves. What connects them is the act of making itself—where decisions are formed through process rather than predetermined.

The result is a body of work that reflects both range and continuity, unified not by medium, but by a shared approach to thinking through making.